b. March 30, 1746, Fuendetodos, Spain--d. April 16, 1828, Goya is considered the 18th Century's foremost painter and etcher of Spanish culture, known for his realistic scenes of battles, bullfights and human corruption. Goya lived during a time of upheaval in Spain that included war with France, the Inquisition, the rule of Napoleon's brother, Joseph, as the King of Spain and, finally, the reign of the Spanish King Ferdinand VII. Experts proclaim these events -- and Goya's deafness as a result of an illness in 1793 -- as central to understanding Goya's work, which frequently depicts human misery in a satiric and sometimes nightmarish fashion. From the 1770s he was a royal court painter for Charles III and Charles IV, and when Bonaparte took the throne in 1809, Goya swore fealty to the new king. When the crown was restored to Spain's Ferdinand VII (1814), Goya, in spite of his earlier allegiance to the French king, was reinstated as royal painter. After 1824 he lived in self-imposed exile in Bordeaux until his death, reportedly because of political differences with Ferdinand. Over his long career he created hundreds of paintings, etchings, and lithographs, among them Maya Clothed and Maya Nude (1798-1800); Caprichos (1799-82); The Second of May 1808 and The Third of May 1808 (1814); Disasters of War (1810-20); and The Black Paintings (1820-23).  Related Paintings of Francisco de goya y Lucientes :. | Mournful Foreboding of What is to Come | Les Vieilles or Time and the Old Women | Atropos | The Miracle of St Anthony | War scene |
Related Artists:
George Turner
1750-1843. Turner was born in Cromford, Derbyshire in England, but then moved to Derby with his family. He showed an early talent for music and art - encouraged by his father Thomas Turner, who although a tailor by profession was also an art enthusiast. Turner was largely self-taught and went on to become a professional painter and art teacher. A quiet scene in Derbyshire (1885)Turner lived in Derbyshire all his life. In 1865 he married Eliza Lakin (1837 - 1900), becoming a part-time farmer and raising four children at Walnut farm in Barrow upon Trent.[1] After Eliza's death in 1900, he moved to Kirk Ireton and later married fellow artist Kate Stevens Smith (1871-1964) - they set up home in Idridgehay where he died in 1910. His son William Lakin Turner (1867-1929) also became a landscape oil painter of repute. Turner worked in oils and painted bucolic scenes mainly of his native Derbyshire, leaving an important legacy of hundreds of pictures depicting the English countryside before the coming of mechanisation, the motor car and urban expansion. His work was exhibited in Nottingham and Birmingham. Turner served on the Art Committee of Derby Art Gallery and both his and his son's paintings are included in the city's collection.
BALDASSARE ESTENSE
Italian painter, Ferrarese school (b. 1443, Reggio, d. 1504, Ferrara)
Joseph-Benoit Suvee
(3 January 1743 - 9 February 1807) was a Flemish painter strongly influenced by French neo-classicism. He was born in Bruges. Initially a pupil of Matthias de Visch, he came to France aged 19 and became a pupil of Jean-Jacques Bachelier. In 1771, he won the Prix de Rome. In Rome from 1772 to 1778, he prolonged the usual duration allowed to pensionaries of the French Academy in Rome. He was named an academician on his return to Paris and he opened an art school for young women at the Louvre. He emulated and competed with Jacques-Louis David, earning his enduring hatred. Named the French Academy in Rome's director in 1792, replacing François-Guillaume Menageot, he was imprisoned for a while in the Prison Saint-Lazare and only able to take up the post in 1801. After a brilliant career, and a six years' stay in Rome as the Academy's Director, he died there suddenly. His works include Achilles depositing the body of Hector at the feet of the body of Patroclus, (1769, Louvre), and Cornelia, mother of the Gracchi, (1795, Louvre).